Movies

Time travel, family trauma, and Ryan Reynolds being Ryan Reynolds. It’s a hug wrapped in sci-fi.

Spy movie with style turned up to 11. Suit violence, umbrella violence, british word violence and a church scene that made people pause the movie.

Space, time dilation, crying, and a soundtrack that makes your chest vibrate. The science is serious, the feelings are louder, and the ending is a philosophical jump-scare.

The one Marvel movie that works perfectly standalone. A rich guy builds a suit, gets humbled, and becomes weirdly lovable.

Bond reboot where the punches hurt and the poker is life-or-death because cinema logic. Peak modern spy movie.

Everything converges. Multiple endings that are all earned. Grown adults cry about a hobbit going home and they are right to do so.

French comedy chaos with quotable lines for decades. A national monument disguised as a dumb movie.

Everything gets worse. The fellowship is in pieces, the odds are impossible, and somehow a battle sequence involving a fortress and ten thousand orcs is not even the most emotionally devastating part of the film.

A hobbit leaves home and immediately regrets it. Nine strangers become a family, then immediately stop being a family. The longest setup in cinema history and you will not notice.

Secret agency but with aliens, memory wipes, and the best deadpan partner dynamic. Sci-fi comedy that still works.

Bond in the early days: simple mission, iconic vibe, and fewer cinematic-universe headaches. Clean spy comfort food.